A Prideful and Naughty Coniurer: Tudor England’s Crackdown on Semi-Learned Male Magicians

gilles_de_rais_murdering_childrenIn the parliament of 1541/2, Henry VIII passed a witchcraft act entitled ‘An Act against Conjurations, Witchcraft, Sorcery and Enchantments.’

The act had a very different focus to what we might expect for an act punishing witchcraft: killing by magic is only mentioned in passing, and the idea of the witch as being in league with Satan was given a backhanded reference:

“Where dyvers and sundrie persones unlawfully have devised and practised invocacons and conjuracons of Sprites, p’tendyng by such meanes to understand and get Knowledge for their own lucre in what place treasure of golde and Silver shoulde or mought be founde or had in the earthe or other secret places, and also have used and occupied witchcrafts inchauntment and sorceries to the distruccon of their neigbours persones and goodes, And for execucon of their said falce devyses and practises have made or caused to be made dyvers Images and pictures of men women children Angells or devells beastes or fowles, and have also made Crownes Septures Swordes rynges glasses and other thinges, and giving faithe & credit to suche fantasticall practises have dyged up and pulled downe and infinite nombre of Crosses within this Realme, and teaken upon them to declare and tell where things lost or stolen shulde become; wiche things cannot be used and exercised but to the great offence of Godes lawe, hurt and damage of the Kinges Subjects, and losse of the sowles of such Offenders, to the greate dishonour of God, Infany and disquyetnes of the Realme…”

The target of this crackdown was, of course, a class of troublemaker more threatening to Henry than all the village wise women and argumentative spinsters combined: educated sorcerers, very often former monks or clerically trained university men, who had turned to magic as a way of earning a crust. Continue reading “A Prideful and Naughty Coniurer: Tudor England’s Crackdown on Semi-Learned Male Magicians”

Edward Alleyn and the Extra Devil in Christopher Marlowe’s Faustus…

Did Edward Alleyn see an extra Devil on stage during Faustus?

The first origin of the story as it related to Alleyn seems to come from quite a while after Alleyn’s death: in 1673, when John Aubrey he visited Dulwich College/The College of God’s Gift, he was told the story, and published it in his Natural History and Antiquity of Surrey in 1715.

The story seems to have been fairly ubiquitous. The only (relatively) contemporary source I found was Thomas Middleton’s Black Book of 1604, where he described the Rose “cracking” during a performance of Faustus and frightening the audience. Probably because it was old wood and there was wind (there’s always wind on that street, it’s a peculiarity of London’s Bankside).

Listen to my latest audio to hear more!

 

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The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.

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Did the Medieval Church Persecute Male Sorcerers?

Were men the victims of a crusade against learned magic in the era before the witch trials? Listen to find out…

 

Donations Keep This Blog Running

The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.

If you’ve read this material and found it useful, please consider donating a small amount of money towards my work. If one in a hundred of the people who see my blog this week bought me a coffee via Ko-fi, it would make a huge difference to my ability to deliver. If one in fifty did, I’d be able to significantly increase my output.

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Familiars: A Very British Witchcraft

Witches'Familiars1579While the witch’s familiar can be found in other countries (I found some in some French cases), it represents one of the features that most separates the English witch from her continental counterpart.

The era of the witch trials in England came before the creation of the idea of ‘Britain’, from the traumas of the Reformation in 1538, gradually losing judicial support from the mid-17th century onwards.

A part of the reason for familiars is an extension of the idea birthed in Continental witchcraft that the witch herself was powerless: witches did not truly wield magical power, but instead they made bargains with Satan, who would send demons to invisibly watch over them and reproduce magical effects when they performed certain ritual actions.

In the classic Continental trial this is expressed in the image of the Sabbat, where witches meet and worship Satan in a series of increasingly degrading and humiliating rituals, culminating with the ‘foul kiss’ where witches would kiss Satan on or  under the anus.

English witch trials feature the Sabbat less often. Scottish trials tend to be far more traditionally continental in character, with the North Berwick Witch Trials hinging on a lurid Sabbat at the North Berwick Kirk that could have come directly from the pen of Conrad of Marburg. By contrast, without searching my notes, I can only think of a single trial with a strong Sabbatic image: the Windsor trial of Elizabeth Style, where the witches involved confessed to meetings where they would agree their nefarious activities.

With the Sabbat being a less common image, the familiar seems to take a similar disempowering role. It also gave the searchers the hope of finding physical evidence. Even if an animal designated as a familiar could not be found, which they usually could not, the ‘teat’ the animal suckled from could usually be located on the body. Since the teat was a magical thing, not a natural part of the anatomy, it could be found anywhere… although it is of interest that the most common locations and description of witches’ marks conform to those of sebaceous cysts.

A final, especially sad feature of the English witch trials was the use of children as witnesses. While the influence of King James Stuart led to the discrediting of child witnesses in the early to mid 17th century, we see a significant use of child witnesses in the earlier part of the witch trials. In the 1582 trial of the St. Osyth witches Ursula Kemp’s eight year old son Thomas Rabbet gives us the names of four familiars whose names have clearly come from the mind of a child: Tiffy, Jack Pigin and Tyffin. We see similar image from the interrogation of James Device during the witch trials at Pendle, with a second era of the familiar during the brief activities of Matthew Hopkins and John Stearne in the South East of England in the 1640s.

 

Donations Keep This Blog Running

The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.

If you’ve read this material and found it useful, please consider donating a small amount of money towards my work. If one in a hundred of the people who see my blog this week bought me a coffee via Ko-fi, it would make a huge difference to my ability to deliver. If one in fifty did, I’d be able to significantly increase my output.

Buy Me a Coffee at ko-fi.com

Bells as a Defence Against the Supernatural

Medieval BellBeing entirely honest, I have a lot of books. I doubt any of my readers will be surprised to find that many of them are about the supernatural in the Middle Ages and Early Modern.

One thing that crops up again and again is the idea that bells have power over the supernatural. In as many as a quarter of my books, there are references to the idea that bells have the power to drive away demons and abate storms.

The English version of this Latin poem, A Help to Discourse, shows the general sentiment… Continue reading “Bells as a Defence Against the Supernatural”

Demon Biographies: Asmodeus

AsmodeusOne thing that really winds me up is a statement that you often hear from Neo-Pagan wishful thinkers: ‘The Christian demons are just the gods of pagan religions.’ I don’t like to speak in absolutes, but very, very often the demons of Christianity were the demons of whatever religion dominated before Christianity. There were times when Christians said other people’s gods were demons (lots of rather hot words were exchanged during the persecutions and counter-persecutions of the Roman Empire, but those were difficult times). Generally though, Christianity preferred to spread by adopting and adapting. That’s why we have Irish Gaelic deities as Saints, and Halloween on October 31st.

To set the record straight, I have decided to write the first in a series of accurate demon biographies, starting with Asmodeus. Continue reading “Demon Biographies: Asmodeus”

Things That D&D Got Right: The Party Cleric

AOdo_bayeux_tapestry_detailh, the party Cleric. In my gaming experience there are two kinds of people who play the party Cleric: the pragmatic player who looks around the table, sighs, and then says “I’ll play the party Cleric”, and players who know the GM likes to fill dungeons with undead.

I’ve already touched on one of the sources of the D&D cleric class in my article on Paladins and Magic Swords. This was Turpin, the Archbishop of Rheims, who Gary Gygax’s first gaming group referenced (possibly) erroneously when they described ‘the priest Turpin who went into battle wielding a mace to avoid shedding blood.’

The ‘using blunt weapons to avoid shedding blood’ issue is one of the big non-myths of D&D: everyone Continue reading “Things That D&D Got Right: The Party Cleric”

Troubled By Spirits: The Overlap Between Demonic Possession, Witchcraft and Haunting

Dore_woodcut_Divine_Comedy_01First of all: apology/disclaimer: I’ve written this while on holiday, without my books, so it might be a bit scrappy

This is a bit of a stray thought/idea to be developed coming out of my research for my presentation at the ASSAP Seriously Possessed conference in a couple of weeks. In the research for my paper I came across a strange overlap between cases of demonic possession, haunting and witchcraft. It’s a bit of a work in progress, but here’s what I’ve got so far…

Haunting — The Tedworth Drummer
According to the account written by Joseph Glanville, Charles II’s Chaplain, a vagabond artist named William Drury was arrested for causing a public nuisance and travelling under false documents in the town of Lugarspal in Wiltshire, 1661. The tenant of Tedworth House, named Mompesson, confiscated the man’s drum and had him bound over by the local bailiff to be seen before the Justice of the Peace, at which the man confessed that he had forged his documents and begged to be given his drum back. Months later,

Continue reading “Troubled By Spirits: The Overlap Between Demonic Possession, Witchcraft and Haunting”

The Dancing Plague in Medieval Europe

Holbein_Danse_MacabreMany of us will be familiar with the image of the Danse Macabre: scenes depicting dancing skeletons, and the living dancing with the dead. In the work of Herefordshire chronicler Walter Map he describes a knight who rescues his dead wife from a dance of the dead.

What’s less well known is that for a disquieting length of time – from the 13th to 17th centuries – the Medieval European might be able to see a live enactment of the Danse Macabre as bands of strangers, friends and neighbours dancing themselves to exhaustion, or even death. This was the dancing plague: St. Vitus’ Dance, The Dancers of St. John, Tarantism. Continue reading “The Dancing Plague in Medieval Europe”

Spectacle, Tourism and Demonic Possession in Early Modern Europe

Saintfrancisborgia_exorcismThe historian Philip Almond describes 1550-1700 as ‘the golden age of the demoniac’. There are a lot of reasons, one of the biggest being the Reformation. Demoniacs had been important in the days of the early church, when church fathers were trying to build a new religion in an environment of borderline (and sometimes outright) hostility. On the other hand, as D P Walker tells us in his book  Unclean Spirits, by the middle ages there were no more pervasive threats to subvert. Christianity was the ruling religion of Europe, and those heretics who did exist could be hunted directly by fire and the sword.

This led to a somewhat differing attitude to demonic possession during the middle ages. Theological orthodoxy held that since demoniacs could be constrained to speak the truth, they should be allowed to do so. After all, Continue reading “Spectacle, Tourism and Demonic Possession in Early Modern Europe”