Edward Alleyn and the Extra Devil in Christopher Marlowe’s Faustus…

Did Edward Alleyn see an extra Devil on stage during Faustus?

The first origin of the story as it related to Alleyn seems to come from quite a while after Alleyn’s death: in 1673, when John Aubrey he visited Dulwich College/The College of God’s Gift, he was told the story, and published it in his Natural History and Antiquity of Surrey in 1715.

The story seems to have been fairly ubiquitous. The only (relatively) contemporary source I found was Thomas Middleton’s Black Book of 1604, where he described the Rose “cracking” during a performance of Faustus and frightening the audience. Probably because it was old wood and there was wind (there’s always wind on that street, it’s a peculiarity of London’s Bankside).

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Magic Circles, Their History and Anatomy

CircletriangleOne of the most iconic images of the ‘black magician’ is the ominous figure standing in a magic circle filled with intricate designs and mystical symbols. Magic circles have been a big part of my life recently, after being involved in a production based on the Elizabethan Occult, and watching NBC’s Constantine – so I thought I’d write a little about what they are and where they came form.

Christopher Marlowe, writer of demonological play Doctor Faustus, described the popular vision of the magical circle:

“Within this circle is Jehovah’s name
Forward and backward anagrammatized,
Th’abbreviated names of holy saints,
Figures of every adjunct to the heavens,
And characters of signs and evening stars,
By which the spirits are enforced to rise.
Then fear not, Faustus, be resolute
And try the utmost magic can perform.” (1.3.8-15) Continue reading “Magic Circles, Their History and Anatomy”