This blog post comes from a conversation I had with someone in a pub. I can’t remember how the conversation had come around to witches – it was somewhere between one of them having a go at me for not owning a telly, but before when they had a go at me for using too many long words.
The thing that stuck with me was the outrage I got when I mentioned that the English didn’t torture witches. I was offered the famous quote that Medieval people were nasty, brutish and short, and that their lives were shaped correspondingly.
Because of this, I’d like to make it clear that this article isn’t meant to account for every abusive blow struck in the cellar of every parish goal. It isn’t meant to say that no abuse took place, or that the conditions of Early Modern confinement were in any way pleasant.
Did Edward Alleyn see an extra Devil on stage during Faustus?
The first origin of the story as it related to Alleyn seems to come from quite a while after Alleyn’s death: in 1673, when John Aubrey he visited Dulwich College/The College of God’s Gift, he was told the story, and published it in his Natural History and Antiquity of Surrey in 1715.
The story seems to have been fairly ubiquitous. The only (relatively) contemporary source I found was Thomas Middleton’s Black Book of 1604, where he described the Rose “cracking” during a performance of Faustus and frightening the audience. Probably because it was old wood and there was wind (there’s always wind on that street, it’s a peculiarity of London’s Bankside).
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The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.
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Were men the victims of a crusade against learned magic in the era before the witch trials? Listen to find out…
Donations Keep This Blog Running
The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.
If you’ve read this material and found it useful, please consider donating a small amount of money towards my work. If one in a hundred of the people who see my blog this week bought me a coffee via Ko-fi, it would make a huge difference to my ability to deliver. If one in fifty did, I’d be able to significantly increase my output.
While the witch’s familiar can be found in other countries (I found some in some French cases), it represents one of the features that most separates the English witch from her continental counterpart.
The era of the witch trials in England came before the creation of the idea of ‘Britain’, from the traumas of the Reformation in 1538, gradually losing judicial support from the mid-17th century onwards.
A part of the reason for familiars is an extension of the idea birthed in Continental witchcraft that the witch herself was powerless: witches did not truly wield magical power, but instead they made bargains with Satan, who would send demons to invisibly watch over them and reproduce magical effects when they performed certain ritual actions.
In the classic Continental trial this is expressed in the image of the Sabbat, where witches meet and worship Satan in a series of increasingly degrading and humiliating rituals, culminating with the ‘foul kiss’ where witches would kiss Satan on or under the anus.
English witch trials feature the Sabbat less often. Scottish trials tend to be far more traditionally continental in character, with the North Berwick Witch Trials hinging on a lurid Sabbat at the North Berwick Kirk that could have come directly from the pen of Conrad of Marburg. By contrast, without searching my notes, I can only think of a single trial with a strong Sabbatic image: the Windsor trial of Elizabeth Style, where the witches involved confessed to meetings where they would agree their nefarious activities.
With the Sabbat being a less common image, the familiar seems to take a similar disempowering role. It also gave the searchers the hope of finding physical evidence. Even if an animal designated as a familiar could not be found, which they usually could not, the ‘teat’ the animal suckled from could usually be located on the body. Since the teat was a magical thing, not a natural part of the anatomy, it could be found anywhere… although it is of interest that the most common locations and description of witches’ marks conform to those of sebaceous cysts.
A final, especially sad feature of the English witch trials was the use of children as witnesses. While the influence of King James Stuart led to the discrediting of child witnesses in the early to mid 17th century, we see a significant use of child witnesses in the earlier part of the witch trials. In the 1582 trial of the St. Osyth witches Ursula Kemp’s eight year old son Thomas Rabbet gives us the names of four familiars whose names have clearly come from the mind of a child: Tiffy, Jack Pigin and Tyffin. We see similar image from the interrogation of James Device during the witch trials at Pendle, with a second era of the familiar during the brief activities of Matthew Hopkins and John Stearne in the South East of England in the 1640s.
Donations Keep This Blog Running
The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.
If you’ve read this material and found it useful, please consider donating a small amount of money towards my work. If one in a hundred of the people who see my blog this week bought me a coffee via Ko-fi, it would make a huge difference to my ability to deliver. If one in fifty did, I’d be able to significantly increase my output.
This blog post comes after a Twitter conversation with the awesome writer and publisher Theo Paijmans. One of the biggest motivations behind the history title I’m writing at the moment is to look at the people and legal developments behind the witch trials. To us, as citizens of the 21st century, the barbarism of the witchcraft accusation – flimsy evidence, torture, intimidation, false promises of leniency and finally burning at the stake – is palpable.
But nothing is ever so simple. Even the way we imagine the witch trials – a single monolithic persecution spanning hundreds of years – is far from what the evidence shows to be the case. Even the term ‘witch hunter’ is a misuse. Those who brought the witches to their deaths came from a variety of backgrounds, and most were never full time persecutors of witches.
This is a mini-blog post that resulted from a question from Paul, a Blue Badge guide from Canterbury who asked whether their ducking stool was ever used for really swimming witches. The question was whether the stools would ever have been really used to duck witches…
One thing that really winds me up is a statement that you often hear from Neo-Pagan wishful thinkers: ‘The Christian demons are just the gods of pagan religions.’ I don’t like to speak in absolutes, but very, very often the demons of Christianity were the demons of whatever religion dominated before Christianity. There were times when Christians said other people’s gods were demons (lots of rather hot words were exchanged during the persecutions and counter-persecutions of the Roman Empire, but those were difficult times). Generally though, Christianity preferred to spread by adopting and adapting. That’s why we have Irish Gaelic deities as Saints, and Halloween on October 31st.
Ah, the party Cleric. In my gaming experience there are two kinds of people who play the party Cleric: the pragmatic player who looks around the table, sighs, and then says “I’ll play the party Cleric”, and players who know the GM likes to fill dungeons with undead.
I’ve already touched on one of the sources of the D&D cleric class in my article on Paladins and Magic Swords. This was Turpin, the Archbishop of Rheims, who Gary Gygax’s first gaming group referenced (possibly) erroneously when they described ‘the priest Turpin who went into battle wielding a mace to avoid shedding blood.’
First of all: apology/disclaimer: I’ve written this while on holiday, without my books, so it might be a bit scrappy
This is a bit of a stray thought/idea to be developed coming out of my research for my presentation at the ASSAP Seriously Possessed conference in a couple of weeks. In the research for my paper I came across a strange overlap between cases of demonic possession, haunting and witchcraft. It’s a bit of a work in progress, but here’s what I’ve got so far…
Haunting — The Tedworth Drummer
According to the account written by Joseph Glanville, Charles II’s Chaplain, a vagabond artist named William Drury was arrested for causing a public nuisance and travelling under false documents in the town of Lugarspal in Wiltshire, 1661. The tenant of Tedworth House, named Mompesson, confiscated the man’s drum and had him bound over by the local bailiff to be seen before the Justice of the Peace, at which the man confessed that he had forged his documents and begged to be given his drum back. Months later,
Many of us will be familiar with the image of the Danse Macabre: scenes depicting dancing skeletons, and the living dancing with the dead. In the work of Herefordshire chronicler Walter Map he describes a knight who rescues his dead wife from a dance of the dead.
What’s less well known is that for a disquieting length of time – from the 13th to 17th centuries – the Medieval European might be able to see a live enactment of the Danse Macabre as bands of strangers, friends and neighbours dancing themselves to exhaustion, or even death. This was the dancing plague: St. Vitus’ Dance, The Dancers of St. John, Tarantism. Continue reading “The Dancing Plague in Medieval Europe”
This blog post comes from a conversation I had with someone in a pub. I can’t remember how the conversation had come around to witches – it was somewhere between one of them having a go at me for not owning a telly, but before when they had a go at me for using too many long words.
