You might know if you’ve read my bio, but I work as a tour guide at the Globe Theatre. There are many reasons why I love the Globe, not least of which is that I get to make a living from history – but also because you never know who you’re talking to.
In this case I was at the entrance telling getting people onto tours, when I started having a chat with one of the security guards. We talked about his travels in Eastern Europe and South America, touching on Voodou, Santeria, Brujha and Macamba (none of which I pronounced correctly, despite having studied them). It was inevitable that we eventually got onto the topic of The Devil.
We talked a little about the medieval fear of The Devil when he said, “You’ve heard of the Codex Gigas? The Codex Gigas? No? Look it up later.”
As mentioned in a previous blog post, the Middleham Jewel contained the word ‘Ananizapta’, which was a charm against epilepsy, also known as ‘the falling sickness’ or ‘the sacred disease’ by various parties.
One manuscript where the charm is found suggests that the meaning of the word is “May the antidote of the Nazarene prevail over death by poison! May the Trinity sanctify food and drink! Amen”, while, according to Claude Lecouteux, another manuscript defines it as “May the bitterness of the Nazarene’s death remove us from the verdict of eternal damnation, by the power of the Father, for a harsher persecution,” which is based on the idea that the word is an acronym for Ancient Greek.
Whatever the true meaning of the word inscribed on the talisman, the rest of its construction can be traced back to the rules laid down in Middle Eastern books of ‘Natural Magic’ that made their way to Europe after the end of the Crusades. With these texts came ideas dating back to the Classical world that metals, stones and plants were infused by the power of various planets, which could give them powers to affect magical cures if they were properly calibrated. Continue reading “Magico-Medical Talismans 2, A Deeper Analysis of the Middleham Jewel”
If you follow this blog, you might have realised that I’m a bit of a geek: not just a folklore and mythology geek, but a geek in general. Knowing this, it probably won’t be a surprise that I spent much of my childhood playing Dungeons and Dragons. Even as an adult, I can still be found playing tabletop from time to time (but not D&D anymore, now I play 1930s-style pulp adventure games, where sexy occult historians get dragged into adventures with breathy femme fatales…)
Dungeons and Dragons was the creation of Gary Gygax, and was originally released as a supplement for a wargaming system called Chainmail. Over the years, and certainly by the time I was playing, a number of fantasy words were released with increasingly different world-building to anything you’d ever seen in real medieval history.
However, hidden at the core of D&D, buried, unspoken, in the rules and mechanics of the system (a system widely mocked for being pernickety and bureaucratic) are a set of tropes that represent a loving recreation of Medieval European folklore.
Just as the Ancient Egyptians worried about how the dead would support themselves in the afterlife, so did the Medieval Europeans. In the Early Middle Ages it was an important part of German Law that the dead were entitled to be buried with up to a third of their wealth so that they could support themselves in the life after death. Continue reading “Medieval Folklore that D&D Got Right: Undead Knights and Dungeons Full of Treasure”
As modern people we don’t always appreciate it, but the world has changed for us only very, very recently. There was a world not so long ago where milk was seasonal and streetlights didn’t exist.
In this milkless era two-thirds of Britain was covered in thick forest that swallowed up the light, meaning that on a cloudy or moonless night those forests would be filled with invisible ditches, riverbanks and pitfalls. The 17th Century diary of a Reverend Heywood in Yorkshire records of how a man walked out of his house only to vanish without trace. Another Yorkshireman, Arthur Jessop, lost his way and fell into a stone pit. In Aberdeenshire a fifteen year old girl died in 1739 because she lost her way on the path and fell down a freshly dug grave. One elderly Suffock farmer even boasted that he’d been going around at night without injuring himself, although he had once fallen off his horse and gone down a steep riverbank.
Even the cities were pretty bad: until the early 18th Century there was no obligation for the city authorities to provide any sort of artificial light, and paving was a ragtag mix of the cheapest stone that various householders could get their hands on (since the house owner was directly responsible for paving the section outside his house, and your average slumlord wasn’t going to fork out on much.) This meant rain, darkness and garbage created a slick coating of grease and faeces the put hundreds of soon-to-be-dead people into the river Thames over the years. Continue reading “Things that Made Our Ancestors Afraid of the Dark (Part One of an Occasional Series)”
The artefact is just 6.4cm high, with a beautiful sapphire stone. It has a loop at the top for use as as pendant, with a compartment, possibly designed to contain some sort of healing relic. The rest of the Jewel’s design is linked with its purpose: an extract from the Latin mass, a scene from the crucifixion, and the word ‘Ananizapta’, a charm against epilepsy.
The idea of magical talismans for medicine was a mainstay of medieval medical thought. After the Crusades, a wave of culture came from the Middle East: works of philosophy and science previously lost had been perfectly preserved and developed upon in the Muslim East. The City of Toledo became a cultural melting pot, translating works of Hermetic Philosophy and Arab medicine into Latin, Hebrew and Spanish.
One of my favourite things about the medieval supernatural is the general strangeness: not silly strangeness – like bananas with fangs – but proper, John Carpenter’s The Thing, level strangeness. The strange and supernatural have a dream (or nightmare) logic that you never quite get if you just sit down and try to create something horrible with your conscious creative powers.
With that in mind, here are some of my favourite strange and disturbing creatures.
The Thing That Heralded The Great Fire of London
There were supposed to have been a lot of strange occurrences around the Great Fire of London: there was a pyramid of fire seen above London from St. James’ to Whitehall, it rained fish in Kent, and a group of apocalyptic anti-monarchists called (paradoxically) the Fifth Monarchists even predicted a fiery apocalypse on September 2nd, when the Great Fire started at 2am on that very day.
None of them were as strange as what the Spanish Ambassador to London said had been born up on Cornhill, only a few months before the Great Fire itself:
“A deformed monster… horrible in shape and colour. Part of him was fiery red and part of him yellow, on his chest was a human face. He had the legs of a bull, the feet of a man, the tail of a wolf, the breasts of a goat, the shoulders of a camel, a long body and in place of a head a kind of tumour with the ears of a horse. Such monstrous prodigies are permitted by God to appear to mankind as harbingers of calamities.”
Shapeshifting Medieval Spooks
As I’ve blogged before, the medieval dead are much more interesting and deadly than the ghosts of Victorian horror stories.
The ghost in the 1963 film The Haunting will hammer at your door, play tricks on you, and possibly drive you mad, but a revenant from Medieval England will kick its way in, drag you out of bed and beat you to death with its bare hands.
One of the other things the medieval revenant does is change shape prodigiously. M R James, my favourite writer of ghost stories, was no stranger to physically aggressive ghosts. The spook in ‘A Warning To The Curious’ isn’t trying to drive anyone mad. It finds the archaeologist who dug up its crown, stalks him, and gives him the kind of lethal violencing you’d reserve for someone who mugged your grandmother.
One of the other things that medieval revenants are good at is shape-changing disturbingly, which was something else that M R James knew all about. He was a Professor of Medieval Literature, and actually translated a collection of 14th century ghost stories now known as the Bylands Manuscript.
The ghosts here appear in a number of strange shapes: one appears as, “a horse standing on its hind legs, holding its front legs high up in front of itself…” which changes shape so that, “…it appeared in the shape of a rolling bale of hay, with a light glowing at its centre.”
The same revenant later turns itself into a goat, while another tells a human witness about a spirit that appears in, “the shape of a bullock without a mouth, eyes, or ears, and no matter how often he is sworn to confession, he is not able to speak.”
A Vampire that Robert Pattinson Couldn’t Play
The strangest supernatural/folkloric creature that I’ve heard about recently is flagged as a Vampire in Claude Lecouteux’s book, The Secret History of Vampires.
The story comes Schmitz, Germany, in 1565:
“A woman… gave birth to a diabolical being that had no head or feet. On its chest, near the left shoulder it bore a mouth, and near its right shoulder, an ear. It had suction cups instead of fingers, like a frog of toad; its entire body was the colour of liver and shook like lard or jelly. When the midwife set this being into a tub seat or basin to wash it, it emitted the most horrible cries… On the orders of His Lordship, Vratslaus, the aborted child was exhumed, placed on a cart, and given to the executioner to burn outside the village. Despite the enormous quantity of wood burned, it proved impossible to annihilate this diabolical mass; even the clothes in which it had been swaddled remained damp despite the heat of the raging flames, until the executioner cut it into tiny pieces and destroyed them in fire with the greatest difficulty.
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The contents of this blog are entirely free and always will be. I have a couple of books out, but the vast majority of the work I do, especially my historical work, is a labour of love. With that said, creating this content costs me money: I pay for access to academic journals, to a professional quality research library, for trips to specialised collections and archives, and for courses in Latin, Archive Skills and Paleography.
If you’ve read this material and found it useful, please consider donating a small amount of money towards my work. If one in a hundred of the people who see my blog this week bought me a coffee via Ko-fi, it would make a huge difference to my ability to deliver. If one in fifty did, I’d be able to significantly increase my output.
Take a look at the image at the side of the article here. It’s a woman, draped at the feet of a man wearing a cloak. It has a touch of the 1970s about it, like the cover of a fantasy novel that makes you wonder if the artist should have stopped for a cold shower. Except the closer you look at it, the more WRONG you see: for example, yes, she’s naked, but she doesn’t look happy… in fact from the way she’s grabbing onto his arm, it might almost be as if he’s dragging her by the hair. Oh, and then there’s her face: ‘not happy’ is an understatement, she looks like an early version of Munch’s The Scream.
So, who is this woman, what’s going on?
It’s simple: she’s a Selkie, a beautiful and innocent water spirit, what’s going on is that she’s being dragged off into a life of sexual and domestic slavery. Not the good kind of slavery, where there’s a safe word and lots of special equipment ordered off the internet, this is the full Fritzl: the Orkney Islands story of Goodman O’Wastness is a great example.
1942 was a terrible year for snow. RAF Davidstowe Moor records a significant spike in crashes wrecks due to bad weather. It was a dark time for the allies, but for one anti-aircraft gunner, time weren’t just dark. They were haunting.
Private Jack James was heading back for his bed, looking out over the moors, when he saw a mass of black spots. They were a long way off, but moving quickly, cutting across his path, lapping over one of the rolling white fields. Sheep and cows were a fairly common sight on the Cornish moors, but herds didn’t move so quickly or purposefully as that. This something much more dangerous than a herd, this was a pack.
Yell Hounds. Yeth Hounds. Wish Hounds. They’ve got many names and they appear all over Britain: in the North of England, Sussex and the West Country. Strange hounds with glowing eyes, baying on the Moors. Bringing back the kind of primal fear that we British have now forgotten: the fear of being outnumbered by predators, cornered and taken down. The fear of being forcibly returned to the animal world.
1533 and Britain was entering the first stages of the Reformation. The Priory at Wherwell, Hampshire, had escaped relatively untouched by the reformers. Unfortunately for them, something far darker was hatching.
Down in the vaults of the Priory’s Minster, the Prior’s aged cockerel, nearing the end of its life, had found a cool, dark place to lay an egg. There in the darkness it laid a single yolkess sphere, with a tough skin like a serpent’s egg, and quietly expired. Serpents and toads made their homes in the cool damp of the chapel’s crypt, strangely drawn to sit on and incubate the egg… and all too soon, it hatched.
Instantly a terrible poisonous vapour started to seep out of it’s mouth and nostrils, killing the crypt rats and driving everything else out of the chamber. The Cockatrice, barely six inches long, feasted on the days old body of the Cockerel, hissing at the footsteps of the unsuspecting monks above it.
It was a nightmare thing: standing on two upright legs, like a chicken, with the feathered upper body and beak of a bird, a crown of wattles on its head. It’s lower body was a long, writhing serpent-like tail. It ate anything it could: carrion, scraps, corpses and other serpents. And it grew.
Bit of weird personal information from me (this might be more than you really want to know:) I never really properly knew either of my grandmothers.
From what I remember, though, one of them (on my father’s side) was awesome and probably contributed the genetic material that made me turn out how I am.
When hearing that my mother was pregnant again, she immediately started taking her out to a series of walks in Cemeteries, Crematoria and derelict lunatic asylums (well… I might have made that last one up).
That’s why it’s a bit strange that I remember hearing about this monster from my Grandmother, despite the fact that the numbers don’t really add up.
On the other hand, from what I know of her, I can imagine her telling this tale to a baby squalling in its crib:
“When the world was young, there were a race of giants with only one arm. They also had only one leg, and only one eye. In fact they lived as if they were split down the middle, with all their guts hanging down one side. Imagine what that would be like.”
That’s the story, imagine my surprise decades later when (in the course of my daily weirdness) I find out it’s a real thing. Or at least, an authentic piece of folklore, rather than Grandma trying to warn me that I might get my arms and legs chewed off.
You might know if you’ve read my bio, but I work as a tour guide at the Globe Theatre. There are many reasons why I love the Globe, not least of which is that I get to make a living from history – but also because you never know who you’re talking to.
Take a look at the image at the side of the article here. It’s a woman, draped at the feet of a man wearing a cloak. It has a touch of the 1970s about it, like the cover of a fantasy novel that makes you wonder if the artist should have stopped for a cold shower. Except the closer you look at it, the more WRONG you see: for example, yes, she’s naked, but she doesn’t look happy… in fact from the way she’s grabbing onto his arm, it might almost be as if he’s dragging her by the hair. Oh, and then there’s her face: ‘not happy’ is an understatement, she looks like an early version of Munch’s The Scream.