Famous around the Welsh borderlands (particularly Monmouthshire and Herefordshire), he’s a magic user of a very different kind to Faustus and Sylvester.
While their magic is capable of horrible wonders, Jack’s is more the magic of the stage magician.
In the play ‘John a Kent and John a Cumber’, by the playwright and spy Anthony Munday, Jack appears much more like a stage magician than a devilish sorcerer.
His arsenal of tricks includes disguising himself as a Jesuit friar, producing magical music and strange mist.
His main interest in the whole plot (which is a fairly typical play about couples wanting to marry for love instead of money) is to harmlessly agitate the lovers while amusing himself by battling rival magician John a Cumber (who seems to be almost identical to Jack, except from Scotland.)
Even in this play, however, he seems to have real power.
Prophesy has always been a big deal here in Britain. In the run up to the Great Fire of London (and, of course, afterwards) the world was full of portents: In August 1666 the Spanish Ambassador claimed that a ‘deformed monster’ had been born in London. “[It was] horrible in shape and colour. Part of him was fiery red and part of in yellow, on his chest was a human face. He had the legs of a bull, the feet of a man, the tail of a wolf, the breasts of a goat, the shoulders of camel, a long body, and in place of a head a kind of tumour with the ears of a horse.”
This wasn’t the only horrendous thing born of woman in troubled times: Meaux Abbey in Yorkshire said that a ‘human monster’ was born in Kingston-Upon-Thames, divided from the waist up with one half the upper body of a man and the other half the upper body of a woman (although this does sound rather more like a simple case of conjoined twins than anything in any way supernatural, especially since they became an accepted part of the community and lived until they were eighteen.) This unfortunate but mundane genetic abnormality/Satanic Hellbeast (probably the former) was seen as a portent of the Black Death.
An English poem form the time shows us the mood of the time:
“The rysing of the comuynes in Londe,
The pestilens and the eorthequake,
Teose threo things, I understand, betokenes the grete vengance and wrake,
That shulde falle for synnes sake,
As this clarkes canne de-clare,
Nou may we chese to leave or take,
For warnynge have we to ben ware.”
— A Warning to Beware, Anonymous, 1380.
Thomas Wimbledon preached at St. Paul’s Cross in 1388, saying that Armageddon would come in 1400, continuing a tradition stretching back to the earliest foundations of Christianity that the world was going to end really soon, and Christians would get the best end of it. Continue reading “Merlin: The Welsh Prophet”