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What I Learned from the Novel I Wrote in a Week (Part Two)

Everything is for a Reason (Like Dialogue Tags and Sentence Construction)

You might think this part will be a watery parable about how all my failures and triumphs made me a better person. They might or might not have, but that isn’t what I’m talking about. I don’t usually like to write about craft: there are enough craft articles out there, and I have no desire to contribute to the heap.

However, craft was a part of what brought Dark Neon from being a thing that sat on my hard disk to being a novel that people could buy.

I wrote Dark Neon in a blur of desperation. Afterewards, I had it stuck in my head that the manuscript was worthy for the simple reason of just being a certain length: it was book-length, therefore it was a publishable book.

In the event that I did learn a new writing rule, I would go through the manuscript with a scythe, mercilessly and masochistically applying it without fear of favour. If I was going to ruin my work with all these artificial rules, I was going to ruin it totally!

 

Let’s Enter a Dialogue

However, all writing rules are for a reason. A sad number of drafts of my novel were full of adverb-riddled dialogue scenes. People didn’t say or ask, they explained, elucidated, threatened, growled, groaned, laughed, shouted, and whispered. Continue reading

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