If you’re playing a warrior class character (or whatever they call them now, I haven’t played since 2nd Edition) the greatest thing is the awesomeness of a magic sword.
The best kinds are the intelligent ones that come with a Swiss Army Knife’s worth of special powers (yes, when I was a teenager I spent some quality time with the Intelligent Weapon creation table in the DMG), but a good second choice is the Holy Avenger, the sword that can only be wielded at full power by a Paladin, the Lawful Good holy warriors of D&D cannon.
The Real Paladins
In this case ‘real’ is a relative term. I wouldn’t usually make this distinction, but there’s a great deal of mythology coming up that glamourises holy war, particularly war in the Middle East, which is something I want to be clear I don’t endorse.
The above disclaimer aside, there were real people behind the Paladins, or at least some of them. The word Paladin might come from the Latin word Palatinus, via the archaic French word Palatine, which was a word for imperial officials in the Roman Empire.
The Mythological Paladins were the twelve companions of Charlemagne’s steward Roland. Rather than doing all the hero-ing himself, Charlemagne delegates a fair share of it to Roland, acting as a medieval Charlie to his armoured, male angels.
Most of the people reading The Spooky Isles will have an idea who King Arthur is. Whether you’ve read Le Morte Arthur, or experienced the gentler teaching aid of Bradley James’ torso on the BBC show Merlin, you probably know the basics. Arthur’s a hero whose wife sleeps with his best friend, and then he’s killed by kid he made getting with his sister (well… his half-sister, but you can still see why Guinevere decided to explore incest-free relationships.)
The standard post-death of Arthur is well known: he’s taken to Avalon and healed by Morgan/Morgana le Fey. As Geoffrey of Monmouthshire writes in his History of the Kings of Britain, “Then that famous Arthur was mortally wounded, who from there, the river Cam, was taken to the island of Avalon for the healing of his wounds.”
Where is Avalon?
R.S. Loomis points out that the Irish world Ablach means ‘rich in apples’ and is used to describe the island home of Manannan, the God of the Sea. It’s also worth noting that in the Welsh tradition Avallach is the name of Moargana’s father, another possible early link between faeries, Avalon and water (a traditional home of the dead in early European mythology. Godfrey of Viterbo, a German writer, recorded a prophesy form 1190 where Arthur would be preserved in the depths of the sea and reign as he had on land.)
Glastonbury has also been associated with the sleeping/dead Arthur. Henry H Payton writes that the association came from a spurious etymology of the word Glastonbury with the eerie fortress of glass mentioned in the poem Preiddeu Annwn.
Monks were even said to have found Arthur’s tomb at Glastonbury in 1191, reporting that he was a giant with a skeleton covered in nicks and chips as well as the final wound that ended him. Mallory’s Le Morte Arthur even tried to reconcile the two traditions with the already existing folk traditions of Arthur’s return, saying that he would go from the Isle of Avalon to be healed, and that from there he would be buried in Glastonbury until “he shall com agayne, and he shall wynne the Holy Crosse.” An older source, the Black Book of Carmarthen, contains the line, “Concealed till Doomsday the grave of Arthur.”
But this well known tradition isn’t the end for Arthur. There are a number of folk traditions that make it very clear that the Once and Future King definitely doesn’t sleep…